danny scrilla returns to cosmic bridge records with a full-length project inspired by a desire to experiment outside of club conventions. while cosmic bridge has become known for forward-thinking, dubwise dancefloor mutations, label founder om unit has long been a fan of ambient and synthesizer music and ancient musical box offers a current take on the format, with 16 tracks of lush electronic compositions and meditations. fittingly, ancient musical box also marks the label s first cassette release.

ancient musical box was written over the past year as a direct reaction to danny s frustration with club music and the inevitable cynicism that can sometimes arise from prolonged contact with scenes, styles, and genres. i wanted to create something without any ulterior motives, he explains. as the tracks accumulated, the project took on a personal dimension and therapeutic qualities. intent on not over-thinking or polishing his ideas, danny created something that is less album and more a collection of emotions in their rawest form.

despite not being intended for the dancefloor, the music on ancient musical box still bears clear relations to danny s catalogue in its minimalist approach and use of melodic motifs. you can hear it in the hazy crescendo of night sweats , the wobbly funk of pangalactic gargleblaster , and the gentle keys of talisman . alongside these are more experimental moments, seemingly fragile in their simplicity but hiding a depth that reveals itself in context: the delicate loops of the title track, the vibrations of cryopod , the melancholy progressions of too little too late .

ancient musical box is the sound of a producer remembering that the best ideas are the simplest, in the process pointing to new directions.

without artwork cover - only standard cover (see picture)...ltd warehouse / backstock - the midnite ep is the follow up ep to delano smith s sunrise ep on third ear recordings, released at the end of 2008. the sunrise ep was one of the underground house records of 2009, and the midnite ep is set to be one of the underground house records of 2010. both delano and us think the midnite ep is better than sunrise. after the sunrise ep, we decided to do it again and maintain the theme and name the next ep after a moment, a feeling within the dance floor experience. we decided on midnite. once again we have selected four tracks from a selection that delano sent us. you can play these tracks at any time of the day or night, and we encourage you to experiment in this way. however, dropping any of these tracks at midnite will ensure that you, your dance floor and all the people in the room will be set up for the journey. :-) a1: a special kind is constructed in the classic style of filtered samples from another record over a fat (really fat as this is a record made in detroit) kick drum. the samples are from ashford and simpson s stay free from 1979 on warner bros records. it is a sign of a good dance music producer that s/he can take an already great track and turn it into a dance floor bomb. delano has done this with a special kind. 117bpm. a2: dee s gruv is a very deep, very atmospheric groove. a crisp snare, a growling bass, a kick drum of varying intensity though the track framing the vibe, and a subtly modulating chord that goes on forever. hi-hats and ride cymbal move in and out of the track as it ebbs and flows. this kind of deep, grooving suspension of time is becoming a delano smith speciality. 122bpm. b1: the exploration is delano working through the same ideas as he explores in dee s gruv. hitting harder and driving faster than dees gruv, the exploration is a continuation of delano s search for the ultimate deep house groove. all students of electronic dance music should check this.

the first release of blind allies is a four track musical journey from scientific electro by dvs nme and acidic trip by lectromagnetique on one side, explosive cut from gosub and mysterious experiment of cosmic force on the other side will take you away to the dark side of electro world.

im frühling 2017 erscheint odd beholders zweite ep “atlas”. zudem geht das schweizer indie-elektropop-duo auf release-tour. odd beholder verbinden introvertiertes songwriting mit einem entrückten und dennoch beinahe nüchternen sound. so erhaben wie ein leerer parkplatz im morgenlicht. dabei ist pop das ziel, nicht der ausgangspunkt: “wir suchen unseren weg aus dem experiment in die einfachheit.” nach einladungen zum reeperbahn festival, great escape und m4music festival sowie touren im vorprogramm von hundreds, veröffentlichen odd beholder im april ihre zweite ep “atlas” auf sinnbus / mouthwatering records.

the practice of pseudoscience, a three track ep by m parent, is the second vinyl release from the us based label chem club records. having been inspired by peripheral thoughts about pseudosciences, this ep is washed in steady emotional build ups using airy reverb, scattering percussion, throbbing stabs and solid kicks. the title track (a1) uses these elements to move towards a piercing synth peak while cycle of intellect (a2) spaces out these features as it creeps to a dubby impactful end. the b side temazcal rites was directly motivated by a scorching summer day when the intensity of the sun sparked an idea for a sizzling percussive experiment. what were left with is a funky but emotive soundscape that tops off the ep in a unique fashion.

savage times fing als experiment an und dokumentiert die unmittelbare, künstlerische entwicklung hanni el khatibs. ursprünglich wurde der großteil der songs auf savage times bereits zuvor auf fünf eps nach und nach veröffentlicht. diese compilation vereint alle eps und enthält zudem vier weitere, neue bonustracks. el khatib startete das projekt im dezember 2015. die aufnahmen zu den songs wurden in jonny bells (crystal antlers) jazz cats studios aufgenommen. dafür fuhr hanni el khatib täglich von l.a. nach long beach. auf der stundenlangen autofahrt kamen ihm oft die ideen für seine tracks. hanni el khatib wollte sich nicht mehr auf ein genre festlegen und ließ sich einfach von seinem musikalischen instinkt leiten. sobald ein song fertig produziert war, veröffentlichte er ihn. savage times zeigt, wie wandelbar sein sound ist: garage rock, punk, disco, grime und hip hop fügen sich hier konsistent ineinander, über die eigenen grenzen hinweg

mod21 at its first chapter.

you should already know who porter ray is (but you probably don’t.) the machines that seek to control your perception don’t want you to. he is too much of an anomaly. porter skews the modern experiment that is contemporary rap music wildly. he is in a word: authentic. porter ray is a natural… he sounds like east seattle feels.
from the same wet blocks that spawned quincy, jimi and ishmael, comes porter ray. having previously penned six projects showcasing dexterous wordplay, unflinching honesty and vulnerability, tempered with equal degrees of braggadocio and charm, porter is an old soul, a story teller par excellence, a griot possessing insight beyond his years.
double vinyl release with download code included.

fourth ep on firescope records the new sub label of the legendary b12 records. this release is by b12, uk techno at its finest. established early 90’s with a multitude of releases appearing on warp records uk, b12 records, soma records, delsin records, firescope records, art , buzz, de:tuned the ep entitled mindbender is about mental torment / torture / unrest and control. the tracks are heavy and describe an environment of captivity and pain. external or internal - it is all the same.
12 inch marbled vinyk , full sleeve

celebrating the 20th edition of house masters with a stunning new collection from one of electronic musics most revered pioneers.

under the moniker shed, pawlowitz published three highly ambitious albums in which he defined his work more and more as his own way of musical narration. the final experiment? is definitely the temporary highlight of this evolution. as musical work it does establish shed conclusively as one of the most interesting and substantial electronic music artists of our time. it carries a vibe, that links shed to other boundary breaking artists such as ryuichi nakamoto, brian eno and carsten nicolai. however, shed found a way to develop a highly individual way of communicating electronic music, that is self-sufficient. the last experiment is a mostly homogeneous piece of work, a meditation, where the stylistic confusion seems less important than then musical statement that it represents.

inspiriert vom post-minimalismus und modernen klassizismus zeitgenössischer produzenten wie nils frahm, max richter oder steve reich, veröffentlichte der britische techno/house-produzent sasha sein album -scene delete- innerhalb der -late night tales--serie. nun erscheint eine zweite limitierte 10- auskopplung mit zwei remixes von max cooper (als emotional-deepes dancefloor-experiment) und matthew dear vs. audion (als verzerrter techno-freakout). weisses 10- vinyl mit download-code für mp3/wav/flac-formate. auf 1.000 stück limitierte und nummerierte auflage.

a punch-drunk polyrhythmic experiment that melds together fractured 9 bar loops of ailing machine sounds in two distinct trans-atlantic templates: one slung-low, unaffected & skittish from our stable monk-jack, the other a skittling, spectral tour-de-force from the masked sensei.

secret operations is proud to present another releases from seba. stasis is track that started as an experiment with native instruments maschine. different drumpatterns triggered in sequence is a big part of the arrangement, and the track evolves in to a soundscape that seba is so well known for. inner world was sitting unfinished on sebas laptop for years, untill he decided that now is the time to finish it. it brings memories back to the days of early metalheadz and to the early days of seba&paradox.

lumièreslanuit is glad to welcome brussels-based music composer and dj ground tactics for the 7th release of the label and on the occasion of its 2nd anniversary. ground tactics is devoted to reaching new music horizons and emotions through an experiment including structures and harmonies. this experiment occasionally results in contrasts and uncommon pathways as demonstrated in his dawn of city lights lp.

forty six knobs machine by unbroken dub is the first release from nikita zabelins label, resonance moscow. based in the russian capital, the label focuses on electronic music from towns and regions nationwide. unbroken dub is the stage-name of denis safiullin, well known to domestic audiences as a member of the hot wax team. that project comes from the industrial city of tyumen, sometimes called the hydrocarbon heart of russia. winter temperatures in the area can fall below 45c. denis is a long-standing aficionado of analog synths and continues to experiment with all manner of samples. those two trajectories produce a high level of originality, especially when he enlists the support of leading club figures from around the world. denis release for resonance moscow is excellent proof of this bold experimentation. all three tracks on forty six knobs machine use the rokton, an antique soviet drum synth.

thats desire/here we are ep is a 12inch vinyl and digital release by fragile, wolfgang tillmans evolving band project that spans from early recordings in 1986 with bert leßmann to a full band ensemble made up of a group of musicians in new york in 2016. the double a-side ep opens with thats desire, a collaboration with the new york rapper ash b. the song evokes associations with dfa, daf and a queer talking heads. in a spontaneous action ash b. takes over the mic and raps over tillmans heartfelt lyrics, originally written in 1985, combined with a funky bass line by thomas roach. the experiment results in a driving indie-dance sensation about the pleasure and pain of getting lost in ones own desire.

premium 180g double lp with printed inner sleeves in gatefold sleeve.

“drugstore phones” is a double lp from russian wizard piper spray. this enigmatic producer is a hidden gem of russian electronic underground. the album is taking you on an unexpected trip in many ways - it’s hard to define the genre but one can feel the author’s willingness to experiment and explore new sounds. this sonic documentary of piper’s world is breathing and constantly changing, though it’s the most balanced and mature work of the author. a spectacular opener for gost zvuk’s gatefold lp series.

laura jones unveiled her new label sensoramic in may with sam and karousel cutting the opening tape in appropriate style. for the second release laura delivers her first ep since 2014. after taking time out to experiment in the studio and refine her style, the why question marks an evolution in the uk producer s output delivering two incendiary underground club cuts ably remixed by trevino and u-more. two veterans working under aliases, trevino is of course better known as legendary drum n bass producer marcus intalex who has more recently found a home for his 4/4 output on klockworks, the nothing special and his own label, birdie. u-more is italian veteran and berliner, ivan iacobucci, fresh from releasing on apollonia and a slew of underground minimalist labels who delivers a late night acid laden afterhours workout to compliment trevino s big room counterpart.

having broken the barrier for murky skewed house with his 2014 white label *a place called ballacid*, hungarian scene founder s olbricht returns with a full album on lobster theremin that channels his distinct brand of thumping, sludgy techno, weaving through repetitive drone-laden ambient and hague-esque escape soundtrack house. *for perfect beings* is a sound-palette tour de force, picking n mixing tempos and tonal balances that shift throughout each track and side of vinyl. which strangely starts on a 12 inch lp slab and ends with a pseudo bonus 10 inch two track experiment.

celldöd, aka anders karlsson, has been releasing dirty electronic music since the late 80s, both small-run cassette tapes inspired by the diy ethos of his post-punk background, and pristine vinyl editions. karlsson s music is uncompromising and edgy, with roots in both early electronic and 70s industrial music from britain, as well as us techno and kraut-inspired german electronics. prior to releasing records under the name celldöd, he released music as the pain machinery (ebm), human experiment (industrial), preset (industrial/breakcore), and hbt (proto-techno/industrial) among others — all unified by an omnipresent diy-punk attitude.

micro house and minimal funk madness on the forthcoming nervmusic. perfectly balanced double 12 inch with hamid in the main role. 5 original tracks framed by two incredible remixes of craig richards and g76. spooky waves, fragmented funk sessions and heavy drums for the dancefloors.

this mini-album marks a shift in emphasis for lustwerk music, with boss galcher lustwerk choosing to showcase the work of another producer for the first time. he s apparently been nurturing florida-based quavius for some time, encouraging the young producer to -experiment more- while following his instincts. it seems to have worked, because the majority of music on this debut release is top notch. it covers a lot of ground, with the a-side alone moving between r&b-inspired hip-house (-love the way-), hip-hop (-magic man-), woozy electronica (-r n v-) and spacey deep house (-composure-). there s naturally plenty more to enjoy on the flipside, too, from the old school deep hip-hop bump of -m 320-, to the crunk-tinged, cut-up goodness of closer -can i be-.

as a central point of reference of grischa lichtenbergers la demeure/il y a pe&#769,,,ril en la demeure complex, raster-noton releases a limited edition of three 12inch vinyl eps that are accompanied by a handmade, signed and individualized screen print. the three eps were set up as an experiment. each of the records is guided by a word that could be described as a phantasmagoria, a delusion of the 20th century – like a metaphor that is concerned not only with its immediate meaning, but with an implication more emotional, more irrational, telling something about the mindset of the not so distant past.

inga mauer loves trains. -it s a fantastic chance to be nowhere-, she says. from cologne to clone is, in many ways, a celebration of this nomadic sense of existence. -i don t need a home, only a studio-, she confirms. recorded in a period when inga lived between cologne and rotterdam, home to the famed clone records shop (hence the title), the music on this ep is inspired both by the emptiness you suffer in futile non-places such as airports and the chasm you experiment in majestic scenarios as a russian forest. both by solitary travels and first encounters with machines you always wanted to touch like an 808. six tracks constructed with razor-sharp drum-machines, penetrating synth sequences and estranged vocals. raw sounds that capture the type of clairvoyance that one can only feel when in transit, far from the chains of our comfort zones. from cologne to clone is much more than a train journey. it s an introspective voyage to a beautifully warped soul. a reminder that, in fact, sometimes you only need your self-expression to feel at home.

since his first release in 2014, gardens of god has been building himself a sterling reputation that many can only dream of. this autumn sees the lithuanian dj and producer launch his own sodai imprint, with his own two track production river/ghost ep forming the debut release.river opens with a captivating force and level of intricacy that’s undeniably a gardens of god signature production. g host is highly emotive and charged, a record that unfolds with such force taking overarching white noise and horns to command the peak of the night. the creation of the sodai label arose as an outlet to release his own music at his own pace. as he explains,sodai will allow me to experiment with my sounds and create an ongoing project that gives me the freedom to style both with art and music. minidaugas lapinskis aka gardens of god has only released a handful of ep s and yet his name is often spoken with great regard among fellow artists, including the illustrious maceo plex. for over a decade gardens of god has been steadily mastering his craft and creating both film and television scores. it is only in recent years that he has decided to unveil his work and open the doors to his studio, as seen over at xlr8r

after a long travel on the border of the universe, loquace came back us with a 4 trackers ep. for his first release on earlydub, he had the wish to explore and experiment, spacial grooves for the dance floor..

the label offers to the artists involved in the project the possibility to gather and experiment a unique sound setting. inside a large concrete silo, the sound endlessly twirl sand spins around. a narrow door made of cast iron gives access to this cylindrical space where everything is surrounded by a red glowing darkness.the sound experience is intro-spective and utterly physical.these moments of residenciesunfold as timeless wanderings within the circovonlutions of this vibratile space our first issue is the inauguration of different musicians matches, whom, so far, never had collaborated together.

following on from recent remixes for underworld and ry x and with his long awaited track -x- dropping on innervisions, art imitating life is the new musical canvas from eagles & butterflies. volume 1 contains a series of 4 experiments from mr butterflies, delivered on limited edition coloured vinyl.

fortuna co-founder kalbata takes the controls for this new, middle eastern techno banger! al-shark is a banging arab farfisa excursion played frantically on an analog techno rhythm section. it s the first release from the fortuna camp which is not a reissue, but worry not, this could easily be an ancient lebanese proto-house experiment unearthed from a dusty reel.for the b-side kalbata takes things even further with a tribal relick of the original, placing us in a voodoo ceremony where ghosts of sinners come to dance. already on heavy rotation by gilles peterson and acid arab, this anthemic 12- is not to be missed! limited vinyl!

hey, do you remember how much dance music owes to experiment and coincidence????? quirky 7 release from lutto lento is kind of danceable but also raw and harsh, maybe hypnotic? first track sounds like a dark twisted fantasy about carnival in some cheap tropical spa. the other one will reach your guts and throw them upside down. hell yeah.

powerdance is a collective of like minded dance music enthusiasts that joined forces as a sonic dance floor experiment. created by like minded souls, it was formed as a reaction relentless cookie cutter noise that has been dividing the dance floor. a return to the days of love and dancing. a return to months of musician ship and studio work , nurturing and moulding an experience that brought a smile back to the church that is disco. these musicians will remain nameless for now, as power dance dictates the direction and the beginning of a wonderful journey. one for lovers of modern disco that draws on the past from the wag club to studio 54 - from koala bears to will powers and looking forward. just follow the fist. love the legion of boogie down

der zweite longplayer dieser zusammenarbeit, high life, wird bereits ende juni auf warp records veroeffentlicht. das gelungene musikalische experiment der beiden ist vom repetitiven minimalismus von komponisten wie steve reich und philipp glass und der polyrhythmik von fela kuti und funk an sich inspiriert.

peder mannerfelt supplies four jams fashioned out of his own exceptional live show at the festival. raw, unsoftened, brutely analog sound from an ems synthi aks punctures space in an oddly futuristic rhythmic experiment, gesturing at a brand new way of thinking about electronic music. the cuts are also packaged in a special 12” featuring artwork based on his own breathtaking live audio- visual show.

the second of this year’s smd singles on their own delicacies label is features another two original tracks, leading with the hypnotic, late night techno loping of “remember in reverse”, drenched in glistening synths. the second track, “soft attack” takes a much more direct approach, with a brash battering of crash cymbals on every 4th bar marking time as a sinuous synth melody curls around the rhythmatic trunk. “soft attack (drum version)” pares it down even further, excising the melody for a minimal dj tool. also included here is a remix of ‘remember in reverse” from 90s mid west techno legend, dj hyperactive, who we’re super excited to have on this release. he extensive 11 minute rework transforms the track, sprinkling it with subtle doses of acid. after a short hiatus following their modular-only, desert recorded last album “whorl”, during which smd s james ford found himself on production duties for everyone and their dog, smd are back with bunch of techno cuts on their own delicacies label. over a couple of months in jas shaw s newly re-located synth-dense studio in leafy kent, which saw smd once again experiment with live jams as the basis for their production, they’ve pulled together a selection of eight tracks for release as a series of four singles over the coming months. smd fans will note that the earlier naming convention of delicacies has fallen by the wayside – for the simple reason that we’ve pretty much run out of weird and wonderful food stuffs to steal names from. instead, a semi-random automated process has been used to create the track names.

heated heads delves into another dark corner of the american experiment, this time via the lone star state. graig clouse s shit & shine project has been a mainstay of the underground for well over a decade, having released unique sides for legendary labels like rhode island s load, riot season, gangsigns, powell s diagonal imprint, rocket recordings, conspiracy outta belgium and the inimitable editions mego, to name but a few. for this 12-, $&$ has invoked the ghosts of cb radio via the us trucking fraternity - 4 cut n shut jams that defy regular definition. backed so far by the likes ron morelli (l.i.e.s), the trilogy tapes, bill converse, jon k, nina (golden pudel), shapednoise

lux rec shifts again its attention to greece. prosopo is junes newest alias, and means face disturbed microcosm where to experiment with different machines, unconventional textures and rhythms. the result is as uncomfortable as it gets, arid desires, despair concealed with cold resonating motives. we do not celebrate joy.a fast descent into a deserted heart. a feverish feeling, much like when it is warm and one still shivers. annoyed greek gods playing tricks on human

after putting the band on the map with their first ep two years ago, the band feathered sun has grown into a life of its own. the more live sets they have played, the better they have defined their style. they are spearheading a brand of sound healing music abstractly narrative, always poetic, sometimes flirting with darkness but always perfectly produced to carry the audience into their own world. feathered sun are the collaborative experiment of nu, jo.ke, raz ohara, chris schwarzwaelder, iannis ritter and acid pauli johannes laumer. each have active and flourishing solo artist careers, albeit still have time to collaborate with one another. the six-strong collective are a close-knit troupe who are primarily based in berlin and lima, peru. live improvisation is ultimately what brought the feathered sun project to life - they are open about their laidback, impromptu approach and this is apparent throughout this ep. side a was primarily crafted in peru by chris schwarzwaelder and jo.ke with raz ohara’s mesmerising vocals. the end material was then sent to nu in berlin who crafted two tracks out of it. the ‘bulbo’ ep shows a willingness to explore different approaches within the collective and the music showcases their long-standing affiliation. it is a downtempo ep that has immaculate instrumentation, dreamy pads and brooding vocals throughout. this is intertwined with organic sounds and moody atmospheric melodies, gives the release a timeless and emotive ambience.

spätestens mit dem meisterwerk and they have escaped the weight of darkness- und seinem prämierten soundtrack für die tv-serie broadchurch wird olafur arnalds in einem atemzug mit jungen, angesagten, multitalentierten komponisten wie nils frahm oder jon hopkins genannt. diese verstehen es perfekt, experiment und abenteuer der elektronischen musik mit der sensibilität klassischer musik zu verbinden, und wie hier auf der neuen late night tales mit brilliantem post-dubstep (koreless, james blake) zu ergänzen. olafur arnalds steuert dazu mehrere exklusive tracks bei (ua seines techno-projekts kiasmos), sowie die obligatorische coverversion (destiny s child say my name!). der ausklang erfolgt wie immer mit einer spoken word-perfomance, diesmal vom britischen broadchurch hauptdarsteller david tennant.

triplepoint pres. pres. the 7th release of an experiment called sauron by one of our best artists simone de biasio. triplepoint pres. sauron, a vinyl that contains excellent techno melodies. simone de biasio - sauron is a track thought about leaving the track with an electric dance with its best carried synthesizer that goes straight to your ears to connect your body and soul to dance.

ritmische bezinning shows hieles journey into his world of lucid, hard to pinpoint electronica that keeps on evolving into more individual styles with each release. exactly on the verge of what is expected and pleasantly surprising, hieles layered compositions prove to be material for the experienced listener. off-key triumphalism underwater sonar, detuned disrupted vocoder commands, plangent, tranquilized, insane communication, variation, ringtone experiment sexy exploration, for three in the morning shades of cronenberg, existential fear alien funeral dirge overrun by noise in the machine, colonising other plains, clicking alien tongue. - a. kaye

meshing together brass blasts with bumping house beats and techno dirge, 14 drops is an inspiring experiment in joining together the organic and the synthetic. it s easy to imagine -14 drops uniting a crowd with numinosity: its spiralling dance rhythms, thick swabs of sub, guitar twangs, and warped vocals congealing into something that s completely its own

for the debut of his newfound label ipso records, ko&#776,,,,lsch wanted to try something new. he has long been a fan of limiting himself in the studio. sometimes working with less equipment brings out the best in you, so for the first release i figured it would be interesting to experiment with this, ko&#776,,,,lsch says. inspired by the danish dogma films, he decided to make a rule, and as he is not one for overdoing things, the rule is very simple.

vactrol park, the collaborative endeavor between kyle martin (land of light) and guido zen (brain machine), returns to the esp institute with ii, rounding out the second half of their ep series. for this installment, a sojourn was made to stockholm to record at the computer music mecca, ems (elektronmusikstudion), where the artists had the opportunity to experiment extensively with the legendary buchla 200 modular and serge modular, two of the rarest and most pornographic modular synthesizers in existence. while both instruments originate from california (buchla in berkeley as a commission from pioneer morton subotnik, and serge at the california institute of the arts), the music vactrol park draws from these machines is far from warm and sunny. akin to their predecessors on the 2015 debut i, these works materialize a level of taste and measure of craft that’s unattainable by most, each retaining an individual cinematic approach yet working collectively toward one consummate goal—paralysis.

legendary techno rebel alex cortex joins trust for an ep that wears his nonconformist creed proudly on its sleeve. we run your life takes center stage here, a massive electro banger and electronic warfare anthem for a dystopian future, its programmatic vocals striking a fitting resemblance to ur s most political output. bouncy beat experiment foam rubber landscaping and dizzily spiralling memory overload complete this triptych of techno rebellion. first release in trust s new covert systems series, limited quantity.

remastered re-release des 1982’er new-wave-synth-pop-klassikers der (hypothetical) prophets, bestehend aus dem französischen elektroniker bernard szajner und dem briten karel beer. im stile sowjetischer, elektronischer konzeptalben kreierten die beiden ein obskures werk zwischen experiment und pop. zwei tracks erschienen zwischenzeitlich auf der compilation “so young, but so cold: underground french music 1977-1983- (2004). die vinyl lp enthält 3 bonustracks und erscheint inklusive downloadcode.

uks heavyweight, lex gorrie managed to receive the torch from marco bailey and he proudly graced mbr limited with 3 phenomenal original productions and a remix by the one and only jonas kopp.

nach 3 alben auf seinem eigenen label full pupp veröffentlicht der norwegische cosmic-gott prins thomas nun seinen ersten longplayer auswärts, nämlich auf dem nicht minder geschätzten osloer kultlabel smalltown supersound. inspiriert durch 1990er electronica der marke the black dog, the orb oder klfs *chill out* album zaubert der prinz 9 wundervolle electronica-tracks aus dem Ärmel, die er im nachhinein einer leicht tanzbaren kur unterzieht und seinem typischen sound anpasst. ein durchaus gelungenes listening-experiment für komfortable stunden!
das 4-fach vinyl erscheint inklusive doppel-cd.